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often performing at Sapporo’s Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums
Although at peace with the idea that they might just be recording the whole record on cassette tape
A diversity of instruments and arrangements subvert expectations at every turn and bring new depth to each passage with the band utilizing samples of contra bassoon and Rufai mystic rituals while doing away with guitar entirely
rising and falling like the soundtrack to a paranoid nightmare
SHOVELS - s/t LP Post Punk often performing at Sapporo’s SlowboatShovels isnt the greatest name for a band. It conveys a utilitarian image of work, a tool associated mainly with drudgery, unless it is the rare instance when one geezer bashes another geezer in the head and its Exhibit A in a murder case. Then it may conjure some genuine appeal. So it is interesting why a band on a stellar label like Homeless would arrive at such a handle. Shovels are part post punk, experimental and white noise psych, as you listen
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